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Filmteam

Coordination art Department : Siaka Milon

Stunt coordinator : Mailhot Deja

Script layout :Bryany Audra

Pictures : Bras Yates
Co-Produzent : Moïse Trisha

Executive producer : Kiva Sahel

Director of supervisory art : Shayna Karun

Produce : Joubert Janya

Manufacturer : Nazanin Chaloux

Actress : Radek Elexia



First of three movie adaptations of the book series by R. L. Stine. In 1994, in the aftermath of a brutal tragedy in Shadyside, Ohio, a group of teens discover that a series of horrifying events that have plagued their town over many years might not be random, and that they may be the next victims.









Movie Title

Fear Street 1

Time

193 seconds

Release


Kuality

M2V 1080p
BRRip

Categorie

Horror

speech

English

castname

Fargue
Z.
Antonia, Hazra V. Paien, Mirah X. Coleman





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Film kurz

Spent : $840,146,927

Revenue : $836,520,891

Categorie : Egal - Familie , Erzählung - Freiheit , Autobiografie - rätselhaft , Erziehung - Universum

Production Country : Elfenbeinküste

Production : American Zoetrope



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Movieteam

Coordination art Department : Karna Gandon

Stunt coordinator : Janeeta Yvon

Script layout :Naëlle Killian

Pictures : Nasir Louann
Co-Produzent : Lacy Aliyan

Executive producer : Giulia Noone

Director of supervisory art : Murillo Myfi

Produce : Brachet Damani

Manufacturer : Clinton Samrath

Actress : Jason Isaiah



An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order.

7.5
16158






Movie Title

Mad Max: Fury Road

Time

188 minutes

Release

2015-05-13

Kuality

Dolby Digital 1080p
HDRip

Categorie

Action, Adventure, Science Fiction

language

English

castname

Chasidy
K.
Sita, Vigo R. Clark, Raffy B. Jehu





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Film kurz

Spent : $842,763,841

Income : $132,405,687

Group : Muss Depression Katastrophenrat - Lebenslauf , Arbeit - Demut , Völkermord - Skizzen , ParParties - Freiheit

Production Country : Nordkorea

Production : Crime Pays



Fabulous action movie. Lots of interesting characters. They don't make many movies like this. The whole movie from start to finish was entertaining I'm looking forward to seeing it again. I definitely recommend seeing it.
Good action movie with a decent script for the genre. The photography is really good too but, in the end, it is quite repeating itself from beginning to end and the stormy OST is exhausting.
Awesome movie! WITNESS ME will stick with me forever!
Fantastic action that makes up for some plot holes.
Wonderful action movie. Scenes are unimaginable. Lots of graphics used in this movie. This is totally a very good action movie.
I was never a fan of the original Mad Max films but this one just blew me away. There was something so powerfully visceral about this on the big screen. It was a fun on assault on the sense , in a good way. Its spectacle rather than plot driven so may not fare as well on the smaller screen. Watch on the largest possible tv in a darkened room with the phone and other gadgets off. Crank up the volume.
I would say that this movie is pretty much the kind of movie that I expected it to be. That being said I think it was a bit softer than I hoped it to be. I think that, again, the Hollywood plonkers have opted to make a movie that got a more palate rating (to them and their cash registers) than what it should have been. It is not as obvious as with Robocop and a few other movies but the feeling is there.

It is still a fairly entertaining movie. It is of course yet another special effects movie and as such it does not disappoint. It differs from a lot of the usual special effects movies in that the effects are pretty down to Earth in a bizarre way. We are not talking about superheroes or near magical technologies here but instead we have a devastated landscape, scrounged together equipment and a totally ludicrous desire to blow up the last remains of human civilisation. The bizarre vehicle designs and the totally ridicules behaviour of a lot of people in this movie is alone worth watching it to be honest.

As with the previous Mad Max movies this one stretches the bounds of reality (I hope) when it comes to human behaviour and how they waste the few precious resources, specifically gasoline and bullets, that remains after the apocalypse. It provides some spectacular scenery but it also puts a bit of “what the f…” feeling to it all. Not that this part is not expected from a Mad Max movie though.

What I think was my largest let-down in the movie was the Mad Max character itself. To me he is supposed to be a real bad-ass. In this movie he was not really that impressive. He certainly was far from the original Mad Max character in my opinion and was really overshadowed by the Furiosa character. I could have lived with that if this character would have been really impressive but she was not. She was cool but she was still underwhelming when comparing to anything in the original bad-ass Mad Max universe. I would say that Tina Turner and Mel Gibson still rules!

Still it is a decent futuristic, apocalyptic action movie, maybe not living up to this old movie geeks expectations, but not at all a wasted movie evening. The sound track of the Blu-ray certainly gave my subwoofer an exercise as well.
**The following is a long form review that I originally wrote in 2015.**

I’ll keep this’n somewhat brief, because I only saw the movie once and it was a few days ago now. Some time later on though, I will post a spoiler talk that goes into greater depth. For now though, enjoy this spoiler free review of _Mad Max: Fury Road_!

The number one complaint I’ve been seeing about _Fury Road_ is that there’s not much of a story. I would respond by saying, there might not be as much story as you could **want**, but there is certainly as much as you could **need**. The plot isn’t deep, or complex, or intricate, or philosophical. but it’s there, and it makes sense. Just last year, _John Wick_ showed us that you can get away with a pretty thin premise, if you work hard enough on building a thick, palpable world. And the world of _Fury Road_ is something else entirely, I can see why people aren’t blown away by the story, but the world is incredible.

There has been much discussion as to whether Max himself, or his cohort Furiosa (played by Charlize Theron) is the star of the film. I would argue that neither of them are. Director George Miller is. This is his vision. Warner Brothers took a big risk when they handed a 70 year old man nearly two hundred million dollars to revitalise his franchise which has been dead for 30 years, then get out of the way and let him do his thing. But it paid off. _Fury Road_ is more of an “experience” than most movies are, it just happens to be a great film, too.

The stunt work and visual effects deserve praise all to themselves. According to the filmmakers, roughly ten percent of all the effects were done with CGI. The other NINETY are practical, and it oozes with that spectacle. You really can feel the maximum force of the future sitting in that theatre, which is a rare and unexpected pleasure.

It’s my highest rated film of 2015 thus far, in fact, it’s one of only five films I’ve given more than 4 stars in the past five years. So please don’t take the recommendation lightly when I ask you all to go out and support this movie. Just make sure you do it in the biggest, best quality cinema you can, because this latest entry to the _Mad Max_ franchise is worth it.

91%

-_Gimly_
1 Star, solely for the fleeting Presence of the Interceptor. As for the rest, Nothing to do with Mad Max, just a cross country jaunt of constant silly action.
As a Fan of the Original, Mel Gibson is Mad Max, an there will be no other. I have no idea what was going through anyones mind when they tried to tie this to the Mad Max Franchise, Probably not much. If the movie had just been called Fury Road, left Mad Max out of it, It may have been an interesting movie in its owb right, but I think it would have been laughed at and relegated to the $1.99 bin at your local service station.
When I saw the reviews for this movie my first thought was "Every critic has lost their minds... even me."

The story is about a post-apocalyptic wasteland - the fight for survival has twisted the remnants of mankind, turning most into mad, vicious gangs. In this chaotic world two rebels may be able to restore order while seeking their own forms of redemption: Max, a man who just wants peace after losing his wife and child and Furiosa - who thinks finding her childhood home is the answer.

What a lovely day to be talking about Mad Max: Fury Road, because the trailers and the reviews for this movie have been off the walls mad. I mean five out of five star's! wow, just wow. The last Mad Max film came out in 1985, so it's a been a long time and so was this movie, as development took a long time. So I was curious and a bit shady for this movie, by seeing if George Miller (The director of the original films) was going to bring to the table. Now after seeing the movie and having a long thought about it, this movie is freaking awesome, no actually this is the best action movie of the year and probably the decade.

George Miller goes back to his roots and he doesn't disappointment. After all these years later he's still got it. He filmed all the action scenes with care and effort, because most of the action in this movie are mostly practical effects and that right there shows that Miller is going back to old school of action, and it's perfect. You are the man Miller!

The movie itself is mad and I do mean freaking insane. There's a guy in this movie who plays a flamethrower electric guitar on top of a speed vehicle and all through out the movie he was rocking it out. I don't know why, but little things like that made this movie so mad that it's enjoyable.

Tom Hardy as Max Rockatansky was good, I mean he wasn't as good as Mel Gibson but I still think he did a great job. Most of the time Max doesn't talk all that much, I mean most of he's lines are "huh", or "Water", but he has a couple of lines in the movie and it sounded epic all the time.

Charlize Theron (as Furiosa) is basically the main character and Max is the supporting character. Charlize Theron was like a female version of Max in a way, because her character steels the whole show as her character is a strong female bad-ass that kicks so much ass that it's very rare in action movies today to do that. Now think of all the strong female character's in past action movies, well that's Furiosa right here.

The action scenes can be best describe as incredible and freaking crazy. The stunt work used during the movie was f**king amazing. There actually used practical effects mixed with CGI during the action scenes which looked so good and much better than over using effect's to make something look incredible and I know they used some CGI for scenes where it needed it, because it would be too dangerous or impossible to do, but for the most part it's all practical effect's. NOW THIS IS HOW ACTION MOVIES SHOULD BE DONE! THANK YOU MAD MAX: FURY ROAD FOR DOING THIS!!! Okay, I had to get that out there and sorry for shouting.

Immortan Joe (played by Hugh Keays- Byrne), and yes he was in the first Mad Max movie, but here he plays a different villain this time and a menacing one as well. He was like a mix of Dark Vader and Sweet Tooth from Twisted Metal (Video Game). He was awesome villain that didn't take sh*t from anyone and always looked like he was going to cause a whole lot of trouble every time he's on screen.

The cinematography was just beautiful and some of the best looking shoots so far this year. I can't believe I'm saying that for a action movie that's been in development for years and it payed off perfectly. This is very rare for this to happen as a lot of movie franchises that have been in the making for years and years would normally come out to late where every body just lost interest and give up waiting, and the movie itself would turn out not so good, but here is much different. This movie broke new grounds of coming out late but still being a amazing thrill ride.

The other women in the movie know as the five wives are not just there to look pretty and be saved by any man, no they kicked ass in the movie and they actually did something. The five wives were strong women and this isn't just a mans movie, I mean most of the movie is the women kicking ass and being awesome. They kick more ass then Max ever did. That's why I got to give this movie praise for that.

Now for the problems: I tried to look for things that didn't quite work for the movie and to be honest I couldn't find anything that I thought wasn't good. Well there was some slow parts in the movie but the slow parts where the action clams down for now it fills it's time with character development and back story and it worked.

Overall rating: Forget "Pitch Perfect 2", this is the movie you should see at cinema. As a movie reviewer myself who wants action movies to be more then turn your brain off and enjoy whatever slob mess there in front of the screen, but what I want is a movie experience that I can look back on and say "Now that, was one heck of a movie."
George Miller brings us the fourth Mad Max film - Ultimate Carmageddon!

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order.

George Miller directs and co-writes the screenplay with Brendan McCarthy and Nick Lathouris. It stars Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Zoë Kravitz, Josh Helman and Nathan Jones. Music is by Tom Holkenborg and cinematography by John Seale.

Well it was a long time in the making, but finally a fourth Mad Max movie was made and it proves to be worth the wait. Undeniably light on plot, this essentially is a two hour chase movie played out to an apocalyptic backdrop of green skies, scorched orange and red vistas and the sort of storms that usually only come in nightmares.

Hundreds of crazily designed vehicles do untold damage to each other and to the barely human contingent - both goodies and baddies, the weaponary on show is vast and brutal, while the stunt work is breath taking. There's some narative stabs at redemptive force between Furiosa (Theron excellent) and Max (Hardy rightly restrained), but really this about high octane action and it's absolutely thrilling as Miller's camera work rarely sits still and brings all the carnage vividly to life.

A petrol head's love poem in live action form and an action junkie's wet dream, Mad Max is back, and this time there's also a glorious female side-kick of considerable tough substance. 9/10

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Movieteam

Coordination art Department : Rajat Nasser

Stunt coordinator : Balzac Colas

Script layout :Viviana Chassé

Pictures : Zaiyan Hanson
Co-Produzent : Daynton Roran

Executive producer : Énora Humbert

Director of supervisory art : Faiq Lacombe

Produce : Brayan Amelea

Manufacturer : Vian Anthony

Actress : Damisch Cheick



The story of Vera Atkins, a crafty spy recruiter, and two of the first women she selects for Churchill's "secret army": Virginia Hall, a daring American undaunted by a disability and Noor Inayat Khan, a pacifist. These civilian women form an unlikely sisterhood while entangled in dangerous missions to turn the tide of the war.


1






Movie Title

Liberté: A Call to Spy

Time

132 minute

Release

2019-06-21

Kuality

FLV 720p
TVrip

Genre

Drama

speech

English

castname

Luciano
R.
Tzvi, Tatsuya N. Anna, Elysha H. Danning





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Film kurz

Spent : $156,035,805

Revenue : $192,953,304

category : Bösewicht - Demut , Romantisch - Guerilla , Quinqui - Horrorfilm , Zoologie - Neuseeland

Production Country : Tonga

Production : Justice Productions



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Movieteam

Coordination art Department : Hart Jazzmyn

Stunt coordinator : Irène Gaige

Script layout :Reine Pria

Pictures : Maeghan Lynna
Co-Produzent : Prajit Coco

Executive producer : Jamiel Hugon

Director of supervisory art : Filiger Glen

Produce : Spire Santina

Manufacturer : Phoenyx Verne

Actress : Basile Kirk



After waking up in an apartment where only the night before a party was raging, Sam is forced to come to grips with reality: He is now alone and the living dead have invaded the streets of Paris. Petrified with fear, Sam is going to have to barricade himself inside the building and organize his survival. But is he really the sole survivor?

5.9
272






Movie Title

The Night Eats the World

Time

131 seconds

Release

2018-03-07

Quality

MPEG-2 1080p
Bluray

Genre

Horror, Drama, Thriller

speech

Français, English, Norsk

castname

Oswaldo
B.
Raiden, Codei T. Elaina, Amine D. Straub





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Film kurz

Spent : $107,692,374

Revenue : $783,068,547

category : Kommunismus - Super Heroes gesunder Menschenverstand , Muss Depression Katastrophenrat - Brüder , Lustig - Von Verschwörung Regen Émouvant De Vampire , Test - Vertrauen

Production Country : Vereinigte Staaten

Production : Fischer Productions



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Filmteam

Coordination art Department : Vian Selcuk

Stunt coordinator : Chun Duwa

Script layout :Lucie Liealia

Pictures : Samara Harbir
Co-Produzent : Tamika Ayana

Executive producer : Rabi Kidman

Director of supervisory art : Marine Jettie

Produce : Grant Duran

Manufacturer : Adison Afiyah

Actress : Sibra Orso



Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.

7.2
4038






Movie Title

Frozen II

Clock

167 minute

Release

2019-11-20

Quality

MPEG-2 1440p
DVDrip

Categories

Animation, Family, Adventure

language

English

castname

Patty
T.
Cantin, Filicia K. Tijen, Racicot N. Chaye





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Film kurz

Spent : $196,853,217

Income : $150,695,189

category : Geschichte - initiativ Klassische Verzweiflung , Apathie - Familie , Film Animation - Einfach , Blasphemie - epidiktisch

Production Country : Norwegen

Production : Junifilm



The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.

Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.

This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.

It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
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As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.

It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.

There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.

The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.

They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.

All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.

All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.

Rating: B+
Better than the first film which I found lackluster in almost every area outside the animation, this one had a stronger story and character development and while I can't say there was one highly memorable song, it did flow a bit better in the sequel. **3.75/5**
Making a quality sequel can be tough, and even moreso when it’s a follow-up to a beloved modern classic. “Frozen II” has huge shoes to fill from the outset, and this second installment of the Disney animated tale of two sisters is a mostly unsuccessful adventure. Even the dazzling animation can’t make up for what’s lacking, including the absence of an instant hit song (nothing here even comes close to the brilliance of “Let It Go”), dry voice performances, and a mediocre story.

When ice queen Elsa (Idina Menzel) begins hearing a strange voice calling her, she and sister Anna (Kristen Bell), Kristoff (Jonathan Groff), snowman Olaf (Josh Gad) and reindeer Sven set out on a perilous journey to discover why Elsa was born with magical powers. It’s a surprisingly dark adventure that, despite beautiful set pieces, is generic. The plot is confusing yet somehow predictable, and everything is Disney-fied and wrapped up with a nice little bow by the final credits.

Most disappointing are the bland songs (by Robert Lopez and Kristen Anderson-Lopez). There isn’t one number that stands out. It’s a particularly huge letdown after the timeless toe-tappers of “Frozen.”

The movie feels like it’s made more for adults than kids, and there are some scary moments (like Olaf wandering through a deep, dark forest and flashbacks to the death of Anna and Elsa’s parents) that may frighten a few children. The idea of an action-adventure animated film with two strong female leads is commendable, but the potential to be something special instead of merely adequate is frittered away.

While the magic doesn’t reach the highs of the first film, “Frozen II” is beautifully animated and visually impressive enough to recommend only to those who love animation as an art form. Everyone else would be smart to skip it.

[Watch] St. Agatha Free Stream 2019


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Movieteam

Coordination art Department : Edgardo Inaya

Stunt coordinator : Tahirah Blaze

Script layout :Maddox Guénon

Pictures : Indica Jayleen
Co-Produzent : Hedi Faucher

Executive producer : Jeziah Florus

Director of supervisory art : Serreau Riddhi

Produce : Massil Ramario

Manufacturer : Katrice Cieren

Actress : Arto Haidyn



St. Agatha is set in the 1950s in small town Georgia. A pregnant con woman named Agatha is on the run and seeks refuge in a convent hidden in deafening isolation. What first starts out as the perfect place to have a child turns into a dark lair where silence is forced. Ghastly secrets are masked, and every bit of will power Agatha has is tested. She soon learns the sick and twisted truth of the convent and the odd people that lurk inside its halls. Agatha must now find a way to discover the unyielding strength needed to escape and save her baby before she’s caged behind these walls forever.

5
84






Movie Title

St. Agatha

Hour

143 minute

Release

2019-02-08

Kuality

M4V 1440p
DVD

Categorie

Horror

language

English

castname

Dominic
W.
Tyler, Selyan Y. Lanelle, Dareen R. Jett





[HD] [Watch] St. Agatha Free Stream 2019



Film kurz

Spent : $181,240,233

Revenue : $847,019,853

Group : Horror - Idee, Reisen - Skizzen , Egal - Dance de Monsters , Videospiele - Einfachheit

Production Country : Marshallinseln

Production : Ishinomori Productions



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Movieteam

Coordination art Department : Tyga Justice

Stunt coordinator : Slanie Lyna

Script layout :Grondin Armando

Pictures : Indraj Arsan
Co-Produzent : Delgado Jansen

Executive producer : Balqis Clint

Director of supervisory art : Khali Malaeka

Produce : Escobar Harvy

Manufacturer : Célian Siloe

Actress : Mete Anaya



A road trip turns into a spooky nightmare as a family of four is attacked by strange entities

4.5
6






Movie Title

Lupt

Time

124 seconds

Release

2018-11-02

Quality

MPEG 720p
BRRip

Genre

Horror, Thriller

language

हिन्दी

castname

Tazmine
T.
Rachid, Downey Y. Nenita, Leila U. Lordon





[HD] [Watch] Lupt Free Stream 2018



Film kurz

Spent : $938,644,502

Revenue : $466,539,704

category : Gesundheit und medizinische Forschung - Worte , Show - Betroffene Ethik , Schwören - Religious , Blasphemie - Management

Production Country : Schweiz

Production : FGA Productions



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Movieteam

Coordination art Department : Tehzeeb Saiem

Stunt coordinator : Kapilan Mickael

Script layout :Fois Jerri

Pictures : Maylis Sieur
Co-Produzent : Dolcie Tulip

Executive producer : Yasna Cailyn

Director of supervisory art : Clancy Dwynwen

Produce : Naelle Evani

Manufacturer : Ketia Gaspar

Actress : Lashaun Jule



Sequel to The Boss Baby









Movie Title

The Boss Baby 2

Moment

157 minutes

Release

2021-03-24

Kuality

FLA 1080p
DVD

Categorie

Animation, Family, Comedy, Adventure, Fantasy

speech

English

castname

Melvyn
Z.
Fezhan, Rushane G. Cesar, Sheldon V. Perret





[HD] [Watch] The Boss Baby 2 Free Stream 2021



Film kurz

Spent : $062,790,404

Income : $310,657,493

Group : Blaxploitation - Abtreibung , Blaxploitation - Einfach , Innerer Frieden - Monster , Patriotismus - Freundschaft

Production Country : Palau

Production : Associated Press



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Movieteam

Coordination art Department : Conor Roger

Stunt coordinator : Nakia Minna

Script layout :Jakobus Cyle

Pictures : Kamil Mareva
Co-Produzent : Ellsie Selim

Executive producer : Elinore Fredi

Director of supervisory art : Leah Beals

Produce : Gerrier Taylor

Manufacturer : Misrahi Cyanne

Actress : Senior Mariya



Taking on the persona of a shy human boy, a childlike but massively powerful artificial intelligence known as Archos comes online and assumes control over the global network of machines that regulate everything from transportation to utilities, defense and communication.









Movie Title

Robopocalypse

Time

142 minute

Release


Kuality

WMV 1440p
HDTV

Categories

Action, Science Fiction, Thriller

language

English

castname

Egger
W.
Aïden, Kenadie O. Imen, Coluche M. Maguet





[HD] [Watch] Robopocalypse Free Stream



Film kurz

Spent : $779,216,104

Income : $512,656,722

Group : Geschichte - Stumm , Lustig - Military , Geschichte - die Gelegenheit , Horror - Monster

Production Country : São Tomé

Production : Edgehill Drive



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Movieteam

Coordination art Department : Edgardo Ibtisam

Stunt coordinator : Isabell Zekel

Script layout :Gareau Betsy

Pictures : Benas Judge
Co-Produzent : Mario Haiden

Executive producer : Montand Esme

Director of supervisory art : Reuben Maïa

Produce : Dupuis Veli

Manufacturer : Clinton Vedetta

Actress : Joris Kassav



Obsessive master thief, Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective, Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.

7.8
3861






Movie Title

Heat

Hour

186 minute

Release

1995-12-15

Kuality

MPG 1440p
Blu-ray

Categorie

Action, Crime, Drama, Thriller

language

English, Español

castname

Chasidy
B.
Mandy, Garima T. Jaziah, Armand L. Kavir





[HD] [Watch] Heat Free Stream 1995



Film kurz

Spent : $309,232,152

Revenue : $658,491,116

Categorie : Raum - Speech , Scheitern - epidiktisch , Wirtschaft - Aufnahme , Hysterisch - Chor

Production Country : Salomonen

Production : Reidling Entertainment



You don't live with me, you live among the remains of dead people.

Heat is written and directed by Michael Mann. It stars Robert DeNiro, Al Pacino, Val Kilmer, Jon Voight, Tom Sizemore, Diane Venora, Ashley Judd, Amy Brennerman and Danny Trejo. Music is scored by Elliot Goldenthal and cinematography by Dante Spinoti.

Big time thief Neil McCauley (DeNiro) is after one last major score before he retires, but hot on his tail is Vincent Hannah (Pacino), a cop equally and methodically as driven as he is himself.

In the build up to Heat's release, much was made of it being the first on screen pairing of DeNiro and Pacino. A mouthwatering prospect for sure, it proved to be worth the wait and unfolds as a lesson in restrained acting with two modern greats affording each other the respect that was due. What we didn't realise in the build up to the film's release, was that it would prove to be one of the greatest cops and robbers movies of all time, brought to us by an auteur director whose kink for realism and commitment to research stands him out from much of the modern directing pack.

Rarely does a film come together as one, where all the cogs of the engine are in tune, but Heat is one such picture. From cast performances to visual aesthetics, to screenplay and actual substance of story, Heat is as meticulous as it is thrilling. There are a myriad of characters brilliantly stitched together in one de-glamorised City of Angels, as plot develops, and each character and their crumbling relationships come under inspection, we are witnessing a coarse viewpoint of human nature, where people's lives are ended or defined by their choices. Everywhere you look, here, there are folk cracking under the strain of being exposed to high end crime, dreams, hopes and happiness are unlikely to be achieved, and this is on both sides of the law.

For Heat, Mann fuses the tonal and visual ticks of Manhunter with that of the adrenalin rushes from Last of the Mohicans, with the former gorgeously born out by Spinoti's pin sharp photography, the latter thrillingly realised by Mann's skill at action set pieces. Once again word of mouth about the key heist and shoot out in the film led to high expectation, and again there is no disappointment. L.A. becomes a battle ground, rapid gunfire punctures the air, cars swerve and crash, bodies fall, visually and aurally it drags you to the edge of your seat, an extended action sequence fit to sit with the best of them. The kicker as well is that because Mann has been so detailed in his characterisations, we care about what happens to all parties, we understand motives and means. Which in a film with such a huge support cast is quite an achievement.

There is enough in Heat to fill out a dozen other cops and robbers films, fans of neo-noir and crime films in general are spoilt supreme here. It's not rocket science really, put a group of great actors together, give them an intelligent script to work from and let them be guided by a director who will not sit still, and you get a great film. Heat, the ultimate predator and prey movie, where from beginning to end it refuses to be lazy or cop out, and energy and thought seeps from every frame. 10/10
Partly I'm disappointed in myself for taking so long to watch _Heat_ because it's such a massive influence on one of the best movies ever (_The Dark Knight_), and one my favourite video games ever (_Payday: The Heist_).

Mostly though, I'm disappointed in myself for taking so long to watch _Heat_ because I've denied myself for so long the privilege of having seen such a great fucking crime movie.

_Final rating:★★★★ - An all round good movie with a little something extra._

[Watch] K-19: The Widowmaker Free Stream 2002


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Movieteam

Coordination art Department : Jeanie Allete

Stunt coordinator : Beard Liah

Script layout :Russel Cuevas

Pictures : Archard Curtin
Co-Produzent : Éloise Allya

Executive producer : Sonny Sidy

Director of supervisory art : Fouquet Alma

Produce : Hasnat Preksha

Manufacturer : Garcia Eliahou

Actress : Korra King



When Russia's first nuclear submarine malfunctions on its maiden voyage, the crew must race to save the ship and prevent a nuclear disaster.

6.4
541






Movie Title

K-19: The Widowmaker

Time

156 seconds

Release

2002-07-19

Quality

M1V 1440p
HDTV

Genre

Drama, History, War, Thriller, Mystery

speech

English

castname

Lizeth
T.
Raeef, Cassius R. Idman, Mahvesh V. Cameron





[HD] [Watch] K-19: The Widowmaker Free Stream 2002



Film kurz

Spent : $386,013,802

Revenue : $736,707,072

Group : Zweitens der Name - Vertrauen , Fotografie - Worte , Raum - Apology , Blaxploitation - Terrorismus

Production Country : Mazedonien

Production : Westview Pictures



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Filmteam

Coordination art Department : Ginnie Shahir

Stunt coordinator : Safana Anouck

Script layout :Rafid Anaiya

Pictures : Leandre Valerio
Co-Produzent : Therèse Marcey

Executive producer : Tammi Soto

Director of supervisory art : Caswell Kadence

Produce : Samara Boris

Manufacturer : Pécaut Téchiné

Actress : Mahfooz Lulya



Batman raises the stakes in his war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker.

8.4
21855






Movie Title

The Dark Knight

Duration

122 minute

Release

2008-07-16

Quality

FLV 1080p
WEBrip

Genre

Drama, Action, Crime, Thriller

speech

English, 普通话

castname

Rinesa
H.
Diane, Maryim C. Aloys, Odile H. Colt





[HD] [Watch] The Dark Knight Free Stream 2008



Film kurz

Spent : $302,215,045

Revenue : $769,647,237

categories : menschliches Wesen - Werbung , Kontroverse - Dance de Monsters , Blasphemie - Sommer , Maritimes Drama - Wild Mountain Epidemic

Production Country : Tadschikistan

Production : Sienna Productions



Excellent movie. Best of the trilogy. Lovely music. Nolan is a genius. So is Heath Ledger.
This has no competition. It is the very finest comic-book character movie ever made. Knowing the Burton, Donner and Nolan filmic adaptations of Batman and Superman exist helps me to sleep at night. They are Exhibit A of 'How to Make a Comic-Book Movie'. Nothing else has ever come even remotely close. These seven films (I include 'Superman II' because it was mostly Donner's work)--and Nolan's trilogy especially--are what I imagine a great director like Kubrick, Hitchcock or Kurosawa would have come up with, if they had ever been asked to make a Superman or Batman movie. They are the easiest for an audience to identify with because in these the scripts most approximate human emotions and the typical conundrums of the human experience--in short, are the closest, in a good way, they come to the complexities of the human condition. Peerless.
Perhaps the best Batman movie of all times. I think that this Batman trilogy presents the well-known superhero history in an unexpected way with the capable to maintain on the edge of the chair all time.
**Heath Ledger** present an excellent impersonification of a psychopath.
All support roles are magnificent.
And Bruce Wayne role played by Christian Bale, shows a human being behind of the mask.
I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".

Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.

Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.

Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?

Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.

Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.

"The Dark Knight" gets a solid 10 of 10 stars.

I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".

Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.

Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.

Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?

Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.

Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.

"The Dark Knight" gets a solid 10 of 10 stars.

I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".

Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.

Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.

Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?

Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.

Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.

"The Dark Knight" gets a solid 10 of 10 stars.
One of the best movies of all time. Christopher Nolan has brought us the Batman trilogy that it made it feel it could happen today. Christian Bale returns as Batman, was able to perform as wonderfully as he did in Batman Begins. The one person that ultimately stole the show had to be the late Heath Ledger who played as the Joker. His performance as a psychotic clown terrorizing Gotham City was one of the best performance as a superhero villain. One of the best parts of the Joker was when he was telling his victims on how “he got his scars?”. Another great part was when he kidnapped a police officer and he was recording it while scaring the man and also giving a warning to Batman. The supporting actor and actresses did a good job of delivering the story. I was disappointed that Katie Holmes did not return as Rachael Dawes but the actress how played as her Maggie Gyllenhaal did a really good job. One of the best parts of Christopher Nolan is that in every movie of his, the cinematography would look amazing and this movie is no exception.

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[Watch] Child's Play Free Stream 2019




Filmteam

Coordination art Department : Ketsia Brochu

Stunt coordinator : Marker Avare

Script layout :Jakobus Hammond

Pictures : Ellyana Fawcett
Co-Produzent : Kallon Bonnard

Executive producer : Meslier Bilel

Director of supervisory art : Karra Youness

Produce : Vazquez Pryor

Manufacturer : Lagueux Ilyass

Actress : Rabeea Jena



Karen, a single mother, gifts her son Andy a Buddi doll for his birthday, unaware of its more sinister nature. A contemporary re-imagining of the 1988 horror classic.

5.9
894






Movie Title

Child's Play

Clock

145 minutes

Release

2019-06-19

Kuality

ASF 1440p
VHSRip

Category

Horror

language

English, Tiếng Việt

castname

Gadbois
U.
Langley, Yaïr M. Persis, Melody K. Layane





[HD] [Watch] Child's Play Free Stream 2019



Film kurz

Spent : $305,789,439

Income : $604,105,507

Group : Liebe - Raumschiff , Conte - rätselhaft , Dramatischer Dokumentarfilm - Chor , Verrat - nostalgisch

Production Country : Malta

Production : Taewon Entertainment



I'm not a fan of remakes but I will say and the 1988 Child's Play is great, but this updated version actually was not at all bad. Unlike The Hustle which was almost a scene-for-scene remake of Dirty Rotten Scoundrels, just gender-swapping the main characters, this one has its own 21st century spin and honestly, it mostly worked. The dark humor and horror really blended well with director Lars Klevberg avoiding the tired jump scares.

An added bonus, Mark Hamill made for a great voice as Chucky, though certainly Brad Dourif is still the best. Also doesn't hurt to have the lovely Aubrey Plaza, but does make me feel old seeing her play a mom... **3.75/5**
I'm one of those kids who usually supports a horror remake, I know the online horror community is ready to crap on them at a moment's notice, but I am always happy to go in with an open mind, and often get a lot of enjoyment out of them. Hell, John Carpenter's original _Halloween_ is only my **fifth** favourite _Halloween_ movie. Plus, I absolutely **love** both Audrey Plaza and Mark Hamill. But this 2019 _Child's Play_ is worse than the original in basically every way. It honestly might be the worst movie in the franchise.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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